October 29 - November 2, 2009: A Few Days in Fort Lauderdale
October 1-8, 2009: Our Fall Trip to the Upper Midwest
Return to Index for 2009


Page Index
San Antonio Trip
October 20-22

    Getting to Ruckman Haus
    The Mission Trail
    Natural Bridge Caverns
    The Riverwalk
    Ripley's Believe It Or Not
    Ripley's Wax Museum

October 20-22, 2009
A Trip to San Antonio
with Ron and Jay


 

Last Christmas, Ron and Jay gave Fred and I a unique gift. The gift was a trip to San Antonio with them to visit Ron and Prudence at Ruckman Haus. The idea was that they would chauffeur us down there and back so we wouldn't have to do much. We let Ron and Jay pick a time best for them, and they both wanted to go in the Fall when it got a bit cooler, and that was fine with us. In August, Ron called to say that instead of driving, the gift would be the airline tickets down and back; Southwest had offered a deal too good to pass up. Good for everyone; no 5-hour drive down and back. Ron and Jay settled on Tuesday, October 20 to go down and a return on Thursday. We checked with Ron and Prudence and they had space for us, so that became the final plan.

Since the trip was only two days long, I'm going to put everything from the entire trip on this page, and give you the usual index up at the top. There's a section for the four major things that the four of us did while we were in San Antonio, plus a section for our travel pictures and one for incidental pictures around Ruckman Haus. You can simply scroll down through the whole two-day trip, or use the index to jump directly to what interests you.

 

Getting to Ruckman Haus

This time, we aren't driving down to San Antonio. Ron and Jay got to our house early on Tuesday morning, and he drove us over to Love Field. We parked, got to our gate in plenty of time, and then boarded the 8AM flight down to San Antonio.

We were on Southwest, on a plane like this one. We took off right on time, to the east, and banked around the west side of downtown Dallas and headed south. Fred took one more good picture as we were flying over the Trinity River south of Dallas.


Ron was going to rent a car, but Ron Ruckman wouldn't allow it; we used one of their cars the couple of times we went off somewhere without them. Ron Ruckman picked us up at the airport, and we headed down Texas Highway 281 to Trinity University, where we get off and head west and south to get to their neighborhood.

We usually come right down Main Street and hang a left on French, cross San Pedro and go one more block to Ruckman Haus.



It is always a pleasure to walk into Ruckman Haus. The surroundings are really great, of course, but Ron and Prudence are just so welcoming and pleasant that I really enjoy being there. While Ron got breakfast ready, we gathered around in the kitchen to catch up. Ron served us his Ruckman Haus French Toast and we had a really enjoyable breakfast.

After breakfast, Ron joined us in the dining room where we had a chance to sit down and visit for a while; Ron and Jay have not been down to San Antonio in a few years. We got settled in our rooms and then Ron and Prudence took some time to show Ron and Jay all the changes that they've made since their last visit. (I suppose that on any album page where both Ron Mathis and Ron Ruckman are mentioned, I should use both names all the time, but I hope that if I don't, you'll be able to figure out which Ron is being referred to at any particular time.)

We sat down for a while to plan some of the things that we would do while we were here. These included walking along the new part of the Riverwalk, visiting the missions, going to Natural Bridge Caverns and, at the urging of Jay, doing some of the touristy things down by the Alamo. (We'd already been to the Alamo with Ron and Jay, so we wouldn't be doing that again.)

We decided that today, we'd do the missions and Natural Bridge Caverns, and be back in time for dinner with Ron and Prudence.

You can return to today's index or continue with the next section below.


 

The Missions of San Antonio


We borrowed Ron and Prudence's SUV and, following their directions, headed down to the Mission Historical Park in the southern part of San Antonio a little before noon. Fred and I would have been happy to tour all of them, but since we'd done that before, we picked the largest of them- Mission San Jose- to visit. The thumbnails below show us, in various groupings, at the entrance to the mission. Click on the thumbnails to view the full-size pictures:

I also got what I thought was a good picture of Ron and Jay together, and you can look at it here.

Over 400 years ago Spanish expeditions began to explore land that is now the American Southwest. Beginning in the 16th century, missionaries, accompanied by a few soldiers, moved north out of the Valley of Mexico, founding missions and presidios. By 1718 this activity extended to the San Antonio River, helping form the nucleus of the future city of San Antonio itself. For the Spaniards, the acculturation of the native peoples was a major means for securing their claim to vast lands in North America. With very few soldiers and settlers, Spain's claim to these areas in the face of encroachment by France and England, depended upon the success of the missions. Church and State were very closely linked, and the Spanish monarch granted various religious orders of the Catholic Church permission to found mission communities. Through instruction by these religious, communities of native converts were to emerge as part of an essentially medieval peasant society loyal to the crown on the frontier.

Along with the missions, a system of frontier military outposts, or presidios, was built as a means of protecting Spain's expanding territory. Generally these presidios were manned by a small force of soldiers. Wherever missions were built, a presidio was sure to be established nearby. This was the case in 1718 when a presidio was founded and named San Antonio de Béxar. A failed mission from within the jurisdiction of the presidio of San Juan Bautista del Río Grande in the province of Coahuila, Mexico relocated to the San Antonio River and was named Mission San Antonio de Valero. (It later became known as the Alamo.)

Noting the substantial population of native people nearby, Fray Antonio Margil de Jesús established a second mission, San José, south along the river in 1720. By 1731, three missions originally established in East Texas were relocated along the San Antonio River, joining the two founded earlier and the presidio of San Antonio de Béxar. These missions are Concepción, San Juan, and Espada. The missions flourished between 1745 and the 1780s. Increasing hostility from the mission Indians' traditional enemy, the Apache, and later the Comanche, coupled with inadequate military support, caused the communities to retreat behind walls. Disease reduced the native population, accelerating the missions' decline.


We arrived at the mission and got our admission in the Visitor Center before going in to this largest of the San Antonio missions. At the right, I've put an annotated aerial view of Mission San Jose. You can see some of the major features as well as our general path through the mission. As we look at the pictures, I'll be referring to our walk first along the southeast wall, then through the are around the chapel, then the mill, then the northwest corner, then along the northwest side, and finally back to the entrance along the southwest wall.

 

Visitor Center and Entrance

Looking towards the entrance you can see one of the gateways into the mission; they provided entrance into the compounds of the walled communities. Bastions, or fortified towers, were located along the walls to provide defense. Living quarters were built inside, against the compound walls, for the Indian neophytes and Spanish soldiers, usually only one or two with their families. The Church was the focal point of the missions; the missionary lived in the convento. Workshops and storerooms dotted the grounds. Outside the walls were the croplands and ranches, and the danger of the Apache and Comanche. Just before we actually entered the mission, Fred took this picture of me at the entrance.

 

The Southeast Corner Bastion

Immediately after we entered the gateway near the southeast corner of the square mission, we went along the interior of the wall to our right into a corner room. In this room, there was another doorway that led into the interior of the bastion. As you can see, there were some holes in the bastion wall looking in different directions; I assume these were for observation or perhaps, later on, for a rifle. I got up close to one and took a look at the view through the observation port.

The Inside of Mission San Jose
Right after we came out of the bastion, while we were still in the southeast corner of the mission, I made a movie that pans 360 degrees around the interior of the mission, and you can get an idea of how big it is.

 

Along the Southeast Wall and Buildings

There were a couple of other rooms that we checked out in the southeast corner, including what appeared to be the mission's break room and then walked back out into the interior plaza. From here, we had an excellent view all the way across the interior of the mission to the mission church, which was, of course, the center of mission life. Then we started down the walkway that paralleled the southeast wall of the mission. About a third of the way along, there was an explanatory sign that had a good rendition of what the mission might have looked like when it was in use. You can read that sign along with us here. The walkway ended at the convento in the northeast corner by the northeast gateway.

Along this part of the walk, we took some other interesting pictures of the church, the convento ahead of us and various architectural details, and if you will click on the thumbnail images below, you can have a look at these pictures:

 

The Convento


As we walked along the southeast wall of the mission towards the northeast corner, the remains of the convento were in front of us. As in a typical mission, the convento provided housing for missionaires and lay assistants. In 1785, the convento had nine rooms downstairs and five upstairs, all covered by a flat roof.

The ruins standing today reflect a major reconstruction begun by Benedictine monks in 1861- work that was never completed.

We thought that the convento must have been a pleasant place to live and work. There was a garden in the space between the back of the chapel and the easternmost of the rooms of the convento, and it had a fountain built into the eastern wall. There was a long, arched walkway that provided access to the downstairs rooms and shelter from the elements; it was possible to get from the convento into the chapel without going out in the open. Behind (north of) the two-story portion of the convento there was a back area that could, presumably, have been used as an extended garden. (Some administrative buildings for the park are there now.)

We took quite a few pictures here, and I have put thumbnails for the best of them below. Click on those thumbnail images to view the full-size pictures:

From the Convento into the Chapel

Now we are going to head northwest along the arched walkway and enter the chapel. First, I'll leave the archway and go through the door to the small private chapel, then I'll traverse that small chapel and enter the main church just beside the sacristy. Finally, I'll turn down the center aisle to walk through the nave to the main entrance. I have filmed a movie of this entire walk, and if you would like to come along, just use the movie player at left.
 

 

The Chapel at Mission San Jose


The founder of Mission San Jose was Father Antonio Margil de Jesús, a very prominent Franciscan missionary in early Texas. Unlike many missions in Texas and elsewhere, Mission San Jose is an active parish. Visitors are welcome to attend mass on Sundays. San José, as it became known, was the largest of the missions in the area. At its height, the community contained about 350 Indian neophytes, sustained by extensive fields and herds of livestock. Viewed as the model among the Texas missions, San José gained a reputation as a major social and cultural center. It became known as the "Queen of the Missions." Its imposing complex of stone walls, bastions, granary, and magnificent church was completed by 1782.

Having fallen into disrepair and partial ruin over the years, the San Antonio Conservation Society and the Federal Government among others, undertook to restore portions of the mission community in the 1920s and 1930s. The church, which had lost its dome, bell tower, and a wall, was rededicated in 1937.

The Church at Mission San Jose celebrated the 250th anniversary of its dedication in 2005. This is the only mission church in San Antonio, Texas, that never lost its roof or walls to age or neglect. As a result, remnants of colorful frescos still remain.

If you will click on the thumbnail images below, you can see some other views of the Church at Mission San Jose:

 

        The Chapel at Mission San Jose: Architectural Detail


Particularly when we are visiting older sites on our travels, Fred is very interested in the details of building construction and ornamentation. While the ornamentation on the Church at Mission San Jose was certainly not on a par with, for example, that which adorns the Sagrada Familia in Barcelona (but then, not much is), it was still interesting and quite intricate- especially when you consider what the artisans probably had to work with. I realize that some of what we took pictures of was restored, but I doubt it was made better than the original. If you will click on the thumbnails at right, and at those in the section below, you can see some of this ornamentation- at least the items that we felt were interesting enough to photograph.

 

        The Chapel at Mission San Jose: The Rose Window


La Ventana de Rosa, the Rose Window, is located on the south wall of the church sacristy. The window has been described as the site where the Host was shown to gathered mission celebrants during the Feast of Pentecost.

The window, sculpted ca. 1775, has been the object of both legend and admiration. It is considered one of the finest examples of baroque architecture in North America. The meaning behind the name is currently unknown, but legend has it named for Rosa, the betrothed of Juan Huizar who many believe created the window.

 

        The Chapel at Mission San Jose: Interior Detail


While we were in both the private chapel and the main church, all three of us took quite a few pictures of the interior and the interior detail. There are thumbnails both at the left and also below for some of the best of the pictures that we took. Click on any of them to view the full-size images.

 

The Mill


The Mill at Mission San Jose was the first in Texas. Built about 1794, it was part of the effort to add wheat to the traditional Indian diet based on maize. The mill also produced flour for surrounding settlements, and therefore helped establish Mission San Jose as an important part of the growing San Antonio community. The structure here today was built on the original site in the 1930s.

The mill area is north of the church, and was actually outside the walled area of the mission. To get to it, we walked north from the main entrance to the church, through an archway in the mission wall and then across a restored wooden bridge to the area around the mill.

Water from the acequia flowed through a wooden chute and turned the horizontal wheel of the mill in the lower vault. A drive shaft turned the grindstone in the room above. You can see a diagram of how the mill worked here.

The actual mill machinery was restored by the Pioneer Flour Company of San Antonio as part of the general restoration by The National Society of the Colonial Dames of America in the State of Texas, and it commemorated the centennial of Texas Independence from 1836-1936.

If you will click on the thumbnail images below, you can see some of the pictures we took here at the mill. We tried to capture the area around the mill, the interior, and the machinery in the lower level.


The Mill Mission San Jose

I made one movie here at the mill. I entered the upper floor of the mill and panned around the entire room to show the machinery and other restored objects. You can use the player at left to watch the movie.
 

 

Northwest Corner Exhibits and Rooms

In the northwest corner of the mission there were some rooms that had been partially restored to appear as they might have when the mission was in use. There weren't many labels or plaques, so I'll just include some of the pictures we took here in this area. Click on the thumbnails below to have a look at them:

 

The West Wall and Spanish Quarters

The entire west wall of the mission was, apparently, quarters for both Indians and for Spanish visitors. These rooms were part of the general reconstruction in the 1930s above the original foundations. The stone used was not limestone like the originals would have been. The Grape Arbor trellis was meant to enhance the Spanish Quarters located next to it. Along this wall there is also another gateway into the mission.

In the early years, mission Indians lived in small detached houses called jacales. In 1755, eighty-four of these jacales lined "streets" in what is today the plaza. But after 1768, as conflicts with Apaches and Comanches increased, the mission was enclosed. Indians began living in rooms along the walls, similar to those we saw today.


Along the walkway on this side of the mission we came across one of two wells inside the mission walls. The two-storey Spanish Quarters are recognizable from the buttresses that brace the walls of these rooms along the northern side of the west wall of the mission. South of the western gateway, the Indian Quarters were less substantial but still, for the time, comfortable. You can see some other views from this side of the mission if you click on the thumbnail images at left.

 

The South Wall and Back to the Entrance

In the southwest corner of the mission was a feature that I remembered from my last visit here- a tumbledown canopy with cactus growing on top of it. It must have been a porch at one point; I'm surprised it hasn't fallen down since my last visit. You can have a look at it here.

We arrived back at the main entrance, stopped in the visitor center again for a few minutes, and then piled into the SUV to go get some lunch and then head off north to Natural Bridge Caverns.

You can return to today's index or continue with the next section below.


 

Natural Bridge Caverns


When we were done at the Mission, we stopped at a fast-food restaurant nearby and then continued a mile or so west to pick up I-35 north. To get to the caverns, we just took I-35 north of San Antonio, and then turned off on Texas FM 3009, also known as Natural Bridge Caverns Road. About five miles down the road we found the entrance for the caverns.

 

A Bit of History

In March of 1960, Orion Knox Jr., Preston Knodell, Al Brandt and Joe Cantu, four college students from St. Mary’s University in San Antonio, obtained permission to explore the area that is now Natural Bridge Caverns. The students were convinced that large underground passages existed under the amazing 60-foot limestone bridge. On their fourth expedition, Orion felt a cool draft from a rubble-filled crawlway. Such air currents often indicate the presence of additional rooms or passages.

The explorers made their way carefully climbing and crawling through two miles of vast cavern passage. After making this amazing discovery, they returned to the surface to tell the landowners. The discoverers knew immediately what an astonishing find they had made and the land owners decided to develop the first 1/2 mile, the most spectacular part of the caverns, for the enjoyment of guests from around the world. That first 1/2 mile is now the Discovery Tour. Natural Bridge Caverns’ Discovery Tour was developed with two main goals in mind: preservation of the cavern environment and comfort of its guests. The result is one of the world’s premier show caverns.


Natural Bridge Caverns is one location we've visited where an aerial view really doesn't show you much (naturally). When we drove up, it seemed we were in the middle of nowhere- and we just about were. The interesting stuff here is underground.

 

A Bit of Geology

Visitors to the caverns walk through different layers of limestone, a sedimentary rock. Geologists theorize that during the Cretaceous period, a warm, shallow sea covered much of Texas. Sediments and dead marine organisms collected on the ocean floor, compacted and formed the different limestone layers. Geologists give different names to the various layers, and visitors to Natural Bridge Caverns will find the Glen Rose and the Kainer (Edwards) layers. The Glen Rose, as the oldest rock layer, contains the lowermost chambers, while the Kainer forms the Natural Bridge.

Perhaps around 20 million years ago, a number of faults formed in Texas due to settling of the costal regions. These movements created an extensive series of faults known as the Balcones Fault Zone. The eroded face of the Balcones Escarpment marks both the fault zone and the beginning of the Texas Hill Country. In addition to creating the faults, the tectonic stresses also created joints, or cracks in the rock. Underground water moving along the joints eventually carved the passages at Natural Bridge Caverns.

The cavern formed by an underground “river” moving slowly through cracks and pores within the limestone. Rain Water seeping through cracks started dissolving the limestone. In time, the original narrow cracks or joints enlarged to form huge underground conduits or passages.

Perhaps due to changes in climate, vegetation, or other natural forces, the water drained to lower levels within the earth. As the water left the upper passages, it moved deeper and started forming a second level. The water eventually moved to another level even deeper within the earth. As the water left the lower level, stresses within the rock led to many of the layers collapsing to form break-out domes. This final stage of collapse led to the creation of the passages we now see.

 

Before the Tour


The Discovery Tours leave about every half-hour, so we had some time to wander around the visitor center/gift shop/cafe and also the grounds near the entrance. Natural Bridge Caverns gets its name from the natural rock bridge that spans the canyon where cave entrance is. (There are natural bridges in the caverns too, but this one is its namesake. At left are thumbnail images for some additional views of the natural bridge; click on them to have a look.

When our guide had joined us on the visitor center patio, we headed off towards the cavern entrance. It is down underneath the natural bridge, so we followed the sloping and winding walkway down to a point underneath the natural bridge. Here, we stopped briefly so our guide could tell us a little bit about the history of the cave and what we could expect. She drew our attention to the informative sign with all the rules as she cautioned us to be sure not to touch any formations still growing (some were not).


Entering Natural Bridge Caverns

Finally, we walked past the dedication plaque and down the narrow passage to the cave entrance.

I made a movie while walking down the entrance passage and actually entering the cave for the tour, and you can watch that movie using the player at right.
 

 

Inside Natural Bridge Caverns

Inside Natural Bridge Caverns

To begin with, I made a movie once we got into the darkness of the cave, but while we were still in the entrance passageway. Eventually, it opened out into the first large room. You can watch this short movie using the player at left.

I have no cave diagram that I can show you, so trying to describe our route or the various formations isn't really possible. But then, I don't know what good a label for each formation would do anyway. Almost everything was quite interesting and much of it beautiful as well, and so the best thing to do is just give you some thumbnails and let you click away on them to your heart's content. Every picture has something to recommend it, but I certainly understand if caves and cave scenery aren't your thing.

So click on as many of the thumbnails below as you wish and have a look at the best of the pictures we took here in Natural Bridge Caverns:

If you're getting tired of looking at cave formations, here are some thumbnails for pictures of our tour group in the cave:

And now back to more cave formations:

We had a really good time at the caverns; just before they closed we headed back to San Antonio and dinner with Ron and Prudence.

You can return to today's index or continue with the next section below.


 

We Explore the New Part of the Riverwalk

Fred and I (and also Ron and Jay) have been to the downtown Riverwalk before, and you have seen pictures taken along it and a diagram of it before. What you may not know is that San Antonio has been extending the Riverwalk northward; eventually, it will go almost all the way to the Witte Museum. For now, though, the Riverwalk extends about a block north of the old Pearl Brewery (which is currently being transformed from a brewery to office, retail and residential space). So on Wednesday morning after another of Ron's excellent breakfasts, we drove over to the Pearl Brewery and parked in the lot there for free, and right at the edge of the lot was a new entrance to the San Antonio Riverwalk.

As I've marked on the aerial view below, we entered the Riverwalk at the Pearl Brewery where there is a beautiful series of waterfalls and pools. (I should note that the aerial view was taken before any of the new work on this part of the Riverwalk was undertaken, so you can't see the widened river, the new walkways on either side or any of the other features that you'll see in our pictures.)


Just before we descended to the Riverwalk itself, we took note of one of the many informative signs that are all along the Riverwalk. This one detailed a bit of the history of the Pearl Brewery and some information about the artesian wells that have been dug along the river. We crossed the river and walked to the current northern terminus, then turned around and walked back. At the brewery, we crossed back over to the east side of the Riverwalk and headed south towards downtown. We got as far as the new locks that have been constructed south of the new San Antonio Museum of Art (which doesn't show up on the aerial view). So come along on our tour.

 

Riverwalk Waterfalls at the Pearl Brewery

The Riverwalk at the Pearl Brewery was very nicely done. You can see a picture of the area taken from the west side of the river looking north here. A lot of work and money went into the waterfalls, plants, stonework and lighting; the area was just amazing. If you will click on the thumbnail images below, you can see some of the pictures we took in this area:

From the west side of the river, I made a movie of this area, and you can watch it using the player below:

 

The Current Northern Terminus of the Riverwalk


The new construction on the Riverwalk has only made it as far as a block north of the Pearl Brewery. Although the Riverwalk extends that extra block (you can see a view of this northernmost portion of the current Riverwalk as seen from the Pearl Brewery waterfalls here, when we crossed the river and walked north to the end we found that it seemed to be some dams and other control features for the Riverwalk system. I am not sure what the area will look like when it is extended to the Witte Museum; we will have to wait to find out. If you click on the thumbnails at left, you can see some views of this area. To get back to the Pearl Brewery, we went up to street level, walked across the Josephine Avenue bridge, went back down to the river and walked south along the east side.

 

From the Brewery to the Grotto

Returning from the northern end of the Riverwalk, we decided to follow walkway south along the east side of the river; Ron Ruckman had said that the last time he and Prudence were down here, he didn't remember that the walkway on the west side of the river had been completed, and that there was some backtracking involved. We did find that you can walk along either side, at least as far as the Museum of Art.


Heading South from the Pearl Brewery

Just as we started out south along the Riverwalk, I made a movie of the area around the Pearl Brewery and the beginning of our walk. Follow along with us using the movie player at left.

As we walked along down towards the next bridge over the Riverwalk at Newell Avenue, all of admired all the work that has gone into the construction of this unique attraction- including the plantings all along the walkways on either side of the river. (On an upcoming trip back down here in December, we will be walking along this same area with Guy from Green Bay, and with both him and Fred along, there will be lots of pictures of some of the flora along the Riverwalk. For now, you might just know that The Riverwalk has been designated an ASHS Horticultural Landmark.) If you will click on the thumbnail images below, you can see some views of the Riverwalk between the Pearl Brewery and the Newell Avenue bridge:


Just past the bridge at Newell Avenue, across on the west side of the river is a new feature that I'll just call The Grotto. We didn't go over to explore it today, but from here it appears to be a cavelike affair with a waterfall. (We would find out on a subsequent visit that it conceals a stairway up to street level, among other interesting features.) Fred sat down to admire it while I made a movie of it that you can watch with the player at right.

There is another bridge over the Riverwalk just south of Newell Avenue, and on the other side we saw this huge pipe up on the hill above us. At first, I thought it was some kind of industrial sculpture, but when Fred stopped to read the sign, we found that it was actually a ventilation shaft for a flood-control tunnel that runs underneath downtown San Antonio. Rather than tell you what the sign said, you can just read it for yourself. You can also look at a nearby diagram of the tunnel system here.

 

From the Fish to the Locks (no pun intended)

Heading south, we could see, up ahead, the I-35 bridge over the Riverwalk, and we could also see that there appeared to be some things hanging down underneath the bridge. Pretty soon, we got close enough to see that they were fish! Not real ones, of course, but colorful sculptures. They were whimsical and quite beautiful, and we spent a few minutes wandering around on both sides of the river admiring them. If you click on the thumbnail images at left, you can see some of the other pictures we took of them.

We continued walking south from the I-35 bridge on the east side of the Riverwalk. A little south of the bridge, we could look back and see some of the beautiful plantings and rockwork that have been painstakingly built in this new section of the Riverwalk. Downtown, there was not room for this kind of feature, and that makes this part of the Riverwalk quite different. The cruise boats do make it up to this area now. Fred stopped here in this really neat area to read the sign about riprarian ecology.


The next feature we encountered was the "Brewery Bridge." We learned that this bridge is not new, but actually more than a century old. In 1884, the Lone Star Brewery began operations on the site across the river. Famed brewer Adolphus Busch expanded and modernized the plant in the 1890s. The brick and stone building had two towers, and these were connected by a steel bridge used to move beer barrels. See the picture below:

Prohibition ended beer production here in 1918, after which many businesses occupied the buildings until the early 1970s when they were largely abandoned. A massive renovation transformed the brewery into the San Antonio Museum of Art that opened in 1981. An enclosed walkway (seen in this picture of the museum) replaced the original bridge, which was dismantled and stored. This year, the bridge was incorporated at this site as part of the San Antonio River Improvements Project.

We did find that at the museum, the walkway on the west side ends temporarily. If we'd been walking down that side, we would have had to cross over the Brewery Bridge. As we walked along south on the Riverwalk opposite the museum, we got some very nice views of this new building. We've never been inside it, but you can look at our views of it here and here.

If you will click on the thumbnail images below, you can see some of the other scenery we saw as we walked south from the San Antonio Museum of Art to the locks. Note especially nice work that has been done to landscape this part of the Riverwalk. (You may also note an unfinished residence in the background; it did not appear as if work was currently ongoing there.)

 

The Locks and Dam

As we walked south, we rounded a bend in the river and we could see ahead of us the new dam and locks that have been built near Brooklyn Avenue. When we arrived there, I took my first movie of the installation, and you can watch that movie with the player below:

The locks and dam were an unexpected surprise; I had no idea that any had been built, or were needed. But they have been, and they are.


As we have been walking along the Riverwalk, we have been walking downstream along the San Antonio River. As it turns out, there is perhaps a ten-foot change in elevation just in the short stretch between the San Antonio Museum of Art and the downtown Riverwalk. Prior to its being controlled, the San Antonio River periodically flooded downtown. There have been six major floods since the 1880s, each one causing a great deal of property damage and loss of life. To alleviate this problem, a dam had to be built somewhere, and it was built here, on the site of the old Alamo Dam. Building a dam, of course, would have cut off the upper Riverwalk from access by the cruise boats that ply the Riverwalk downtown, and so two locks were installed here at the dam.

These locks work in the familiar fashion. The bottom of the lock is at the level of the river bottom of the lower part of the Riverwalk. A gate which seals at the bottom is high enough so that it rises a few feet above the level of the upper part of the Riverwalk. At the other end of the lock, there is a shorter gate, which extends from that few feet above the level of the river down to a concrete bottom that is also at the same level as the natural bottom of the upper part of the river.

With these mechanisms in place, the lock can operate without pumps; the only power needed is to open and close the gates. The bottom gate is opened slowly. Any water currently in the lock will flow downstream until the level of water in the lock equalizes to the downstream level. The boat goes in and the gate closes behind it. Now, pipes that lead from the upper river into the lock are opened. Water again seeks its own level, and the water in the lock rises until it is exactly as high as the water level in the upper river portion. The boat, of course, rises with it. When the levels have equalized, the upper gate opens and the boat continues upriver. The process is simply repeated in reverse when a boat wants to go downstream. (I actually hadn't really thought about this when we were here. I assumed that pumps filled and emptied the lock. It was not until I attended a lecture on our November cruise through the Panama Canal that I realized that pumps were unnecessary- gravity does all the work.).

We took lots of pictures and movies here. As far as the pictures are concerned, if you will click on the thumbnail images below you can have a look at the best of them:

Now for the movies. I took two movies of a boat going through the lock. You can watch them with the players below:

Lock Procedure, Part 1
The boat enters the lock, the lower gate closes and the lock begins to fill.
 
Lock Procedure, Part 2
The lock finishes filling, the upper gate opens, and the boat leaves the lock.


The Lobby of the Statehouse

Ron also made a movie of the procedure at the lock. His movie is complete, showing the entire process of a boat traversing the locks, but it does last about five minutes. If you would like to watch it, you can do so with the player at right.

At this point, we stopped to take stock of the day. Ron and Jay wanted to do some things in downtown San Antonio- namely, the Ripley's museums. We had walked about halfway to downtown, and we all could have continued, but then the SUV would have been back at the Pearl Brewery, and we would have had a long walk back. Or, we could have walked back from here and all driven downtown together. The problem with that was that we would miss a big portion of the Riverwalk we hadn't yet seen. I solved the problem by volunteering to postpone my seeing this other part of the Riverwalk (after all, Fred and I are down here frequently). I headed back to the Pearl Brewery, got the SUV, drove it downtown and parked it, and met the guys when they came up from the Riverwalk near the Ripley's museum. I didn't mind at all.

 

From the Locks and Dam to Downtown


Even though I didn't make this part of the trek, Fred and Ron and Jay did, and I thought I might include some of the pictures they took on their route along the Riverwalk until we met up again at Alamo Plaza.

I have marked the route that they took on the aerial view at left, although I suppose it isn't really important what the exact route was.

As they walked along, they continued to take pictures, and, even though I wasn't along, I thought I might include some of the best of the pictures they took. I can't be sure exactly where each was taken, but I suppose that doesn't matter. Just click on the various thumbnail images below to have a look at these pictures:


The group stopped somewhere along the Riverwalk where I have not been and found a display area with a lot of information about various aspects of the San Antonio River. Fred took pictures of the six displays, and I wanted to include them here, but the problem I ran into was that sizing them to fit on the page made them almost impossible to read. So what I've done is included full-size images of the six signs here in the album. To read one of them, just click on its title below. A new window will pop up with a scrolling window inside. You can use the scroll bars to go up and down the sign, reading the narrative and looking at the drawings or photographs. It will be as if you are standing in front of them.

The San Antonio River

Riverwalk Wildlife

Missions in the San Antonio River Valley

River Communities

The River in the 1800s

The River in the 1900s

As planned, I met up with the guys downtown and we decided to try "Ripley's Believe It Or Not!"

You can return to today's index or continue with the next section below.


 

Ripley's "Believe It Or Not!"

I am usually not one for touristy kinds of things, like Ripley's Believe It Or Not! "museum." There was one a block away from my condo in Chicago, but I never went in that one, either. But both Jay and Ron wanted to go through the one here in San Antonio just opposite the Alamo, so I was happy to go along with them. I was surprised in that it was not quite as schlocky as I thought it might be.


Born LeRoy Ripley in 1890 in Santa rosa, California, Ripley pitched semi-pro baseball at age 13 and also illustrated the posters advertising the games. At 14 he sold his first cartoon to LIFE Magazine, and the next year was working at the San Francisco Bulletin and the San Francisco Chronicle. At 23, he moved to New York to work at the Globe, changing his name to Robert and sketching sports cartoons. On a slow news day, he drew up nine unusual sports events in small sketches and titled it "Believe It Or Not!" The cartoon took off and became immensely popular. Ripley became a world traveler, seeking stories of bizarre and unusual proportion to put in his internationally known feature.

He ventured into unconventional areas in India and the Orient; his favorite destination was China. During these travels, he picked up many strange and unbelievable souvenirs that later became an extensive collection of amazing oddities and stories. Ripley was commonly known as being extremely eccentric in clothes (flamboyant colors, pith helmets and bat wing ties) and pets (a boa constrictor, chipmunks and squirrels). He was a heavy social drinker and quite a ladies' man. He sailed a junk and changed his birthday from December 26th to Christmas Day. Ripley died of a heart attack while taping the 13th episode of his television series- on death and death rituals.

We spent a couple of hours in the multi-story Ripley museum, trying to have a look at most everything. Sometimes, when we took a picture, we got the description along with it; other times, I can remember what the item was. Below is a list of the items I can't possibly remember what each picture we took shows; most times, we weren't able to photograph the written explanations. So I'll just put some thumbnail images below for the more interesting of the pictures we took, adding labels where I can. Click on as many of the thumbnail images as you wish to look at the full-size pictures.

First, here are some of the pictures we took of the various skeletons (who can say if they are actually real or not):

Some of the oddities in the museum were superlatives. First of all, you have Ron sitting in the world's largest tire (made for the huge trucks that carry 25 tons of ore at a time from open pit mines). There was a 24-foot tall model of the Eiffel Tower, made entirely of toothpicks. It used over 110,000 toothpicks but weighed only five pounds. You can have a look at the base of it here. There was also a 13-foot-long multi-headed dragon ship (like those used by ancient Chinese emperors), but this one was made from over 1000 pounds of solid jade! You definitely want to take a look at it here.


At left are some thumbnails you can click on to see some additional items of interest, including one of the world's tallest men, an acrobat who had no legs, and a Civil War general who periodically returned to the Army Medical Museum in Washinton to see his own leg, which had been amputated after being hit by a cannon ball.

Finally, you can click on as many of the thumbnails below as you wish to see some of the candid shots we took of various items and exhibits in the museum. It was certainly full of oddities and amazing facts, things and people. Whether it's all true, or whether the items were all real, I have no idea.

Ron and I took some movies here in the museum, and you can watch them with the players below:

The Sacred Buffalo
The skeleton of the "Sacred Buffalo" was on a turntable, so I filmed it going around.
 
Interactive Floor Display
This is the first of two movies Ron made of an "interactive floor display." It was apparently a projection, but one's actions in getting into it were to change the projection. In this case, walking through the leaves projected on the floor caused the leaves to scatter in response to your steps. Very interesting.

Interactive Floor Display
I'm not sure if there were two of these displays, or one just changed from one theme to another, but in this movie Ron made, there are fish projected on the floor, and they "swim" away from your feet when you walk across the display. We saw something similar in Las Vegas earlier this year at the Aquarium in Mandalay Bay, except in that case, the projection was onto a wall.

Ron had bought us all combination tickets so we could also see the other Ripley attraction, so when we were finished at "Believe It Or Not!" we went next door to the wax museum.

You can return to today's index or continue with the next section below.


 

Ripley's Louis Toussaud's Waxworks Museum


It appears that the wax museum next door is either owned by the Ripley organization or at least affiliated with it. (If you go to the web site for the wax museum in San Antonio, it comes up as a subsidiary page to the "Believe It Or Not!" museum.) In any event, Ron had bought tickets to get us into both attractions, so all we had to do was walk next door.

From the website, we learn that "Our Louis Tussaud's Wax Works features over 250 life-like wax figures in themed settings of Hollywood and History. "Freedom's Journey" features a 66-foot handpainted wall mural depicting significant events over the last 100 years. It's truly awesome! Other themed sections include Children's Land of Make Believe, Heroes of the Lone Star, Heroes of Mexico, The Passion Of Christ, Horror and much more!"

Describing our walk through the "museum" isn't very necessary, except to say that we walked through one section after another, including those mentioned above. So all I'll do is categorize the pictures that the three of us took into sections, and show them in basically the order we encountered them.

 

In the Lobby

The entrance lobby for the waxworks was actually pretty schlocky. It featured wax models of Superman and Tiger Woods. (As I write this, I am not sure if the Tiger Woods model is still there; I rather doubt it.) There was also an animatronic dinosaur. Click on the thumbnails at right to see some of the pictures we took here in the lobby.

I made a couple of movies here in the lobby, and you can watch them with the players below:

Fred and the Dinosaur
Fred thought I was taking a still picture of him, so he looks expectant for a while and then finally asks whether I have snapped the pictures as yet. Then he notices that the dinosaur is moving.
 
Jay and the Dinosaur

I made a movie of Ron making a movie (which didn't turn out well) of Jay interacting with the dinosaur. Humorous but lame (the dinosaur, not Jay).

 

Legends of Hollywood

One major focus of the wax works was figures from entertainment- especially Hollywood. I guess this is because stars are pretty much instantly recognizable. I've gathered together the best of the pictures we took of Hollywood personalities, and if you will click on the thumbnails below, you can have a look at them. I assume you'll be able to recognize everybody, but, if you can't, perhaps you ought to renew your subscription to People.

 

Television Personalities

Part of the entertainment section was devoted to television personalities and stars, and if you will click on the thumbnails below, you can see a selection of the best pictures we took:

 

"Freedom's Journey"

This area, with its long wall mural, was devoted to recognizable figures in history, including Texas history. Of course, "recognizable" for the general public seems to be limited to Presidents, so inadequate is the exposure most of us get to history. (I have even less of an excuse, of course, because when I went to school, there was a lot less of it.) But I hope you'll be able to puzzle out most of the figures. Just click on the thumbnail images below to have a go.

 

Fairy Tales

The next section was a tribute, apparently, to fairy tales and their most famous popularizer- Walt Disney. Click on the thumbnail images below to see some of the pictures that we (mostly Ron) took here:

In Fairyland
Fairyland was so very schlocky that I couldn't resist taking a movie here. Of course, Fred corrected me and pointed out that its just for kids, so, oh well.

 

Monsters, Horror and General Mayhem

There didn't seem to be much of a theme for this area, and it wasn't really what you'd expect in a wax museum. Oh, there were a couple of recognizable characters, but not many. In the darkness there were just a lot of scenes from movies or literature- all done in wax, of course. The only really different thing was that we went up and down stairs here, and were twice presented with three doors, only one of which led to the actual hall that continued on.

Let's Make a Deal
The first time we encountered the doors, I'll admit I was surprised. If you opened the wrong door, the lights went out for a while and this is what you got.

There isn't much explanation necessary for the rest of the pictures, so just click on the thumbnails below that interest you to look at the full-size images:

When we were done at the waxworks, we headed back to the car which I had parked on the other side of the Alamo. We headed back to Ruckman Haus to relax. Later, we again went out to dinner with Ron and Prudence.

The next morning we were up early to catch our flight back to Dallas. It was an enjoyable trip, although short.

You can return to today's index or use the links below to continue to the album page for different day.


October 29 - November 2, 2009: A Few Days in Fort Lauderdale
October 1-8, 2009: Our Fall Trip to the Upper Midwest
Return to Index for 2009